“Così fan tutt*e” in Magdeburg
Back when AI wasn’t even on the radar: Magdeburg Theatre is staging ‘Così fan tutt*e’ as one of the very[…]
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Back when AI wasn’t even on the radar: Magdeburg Theatre is staging ‘Così fan tutt*e’ as one of the very[…]
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Stairway to Heaven: In his production of *The Queen of Spades* for Hanover, Roland Schwab places the protagonist’s obsession centre[…]
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La-La-Land on Braunschweig’s Burgplatz: Philipp Moschitz presents a *Freischütz* from Samiel’s perspective, blending slapstick, wit and a critique of Romanticism.[…]
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The Opera Quartet for the 2026/27 Season (in German only). Play along with this season’s singers, conductors, and directors. Connect[…]
Read moreUltimately, it is people who must take the world – and their survival within and alongside it – into their[…]
Read moreMr H.’s campaign of revenge is now entering its fifth year: Dmitri Tcherniakov’s consistently ‘ship-free’ interpretation of *The Flying Dutchman*[…]
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After *Die Walküre*, the AI is booed. It would be amusing if it could react to something like that too,[…]
Read moreAI is dead, long live humanity: Following *Rheingold*, the initial reaction is one of disappointment, though for many this may[…]
Read moreAlexandra Szemerédy and Magdolna Parditka present a cleverly conceived *Rienzi*, which ultimately runs out of steam due to the director’s[…]
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Bel canto fascism at the Lindenoper: in Berlin, Vasily Barkhatov presents a “Norma” set against a backdrop of Italian pottery[…]
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