“Siegfried” and “Götterdämmerung” in Bayreuth
Ultimately, it is people who must take the world – and their survival within and alongside it – into their[…]
Read moreUltimately, it is people who must take the world – and their survival within and alongside it – into their[…]
Read moreMr H.’s campaign of revenge is now entering its fifth year: Dmitri Tcherniakov’s consistently ‘ship-free’ interpretation of *The Flying Dutchman*[…]
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After *Die Walküre*, the AI is booed. It would be amusing if it could react to something like that too,[…]
Read moreAI is dead, long live humanity: Following *Rheingold*, the initial reaction is one of disappointment, though for many this may[…]
Read moreAlexandra Szemerédy and Magdolna Parditka present a cleverly conceived *Rienzi*, which ultimately runs out of steam due to the director’s[…]
Read moreNuremberg beach party: Matthias Davids delivers Wagner’s ‘Meistersinger von Nürnberg’ to the Musikantenstadl in Bayreuth. The final image hits home.[…]
Read moreAnarchists in the Festspielhaus: Tobias Kratzer‘s production of ‘Tannhäuser’ at the Bayreuth Festival has written theatre history and is as[…]
Read moreIn its second year at the Bayreuth Festival, Jay Scheib’s ‘Augmented Reality (AR)’ production presents itself to some viewers as[…]
Read moreThe ship of the dead: In Thorleifur Örn Arnarsson‘s new Bayreuth production, Tristan and Isolde suffocate in a ship’s belly[…]
Read moreThis Dutchman is not finished yet. Even as a child, he had to watch as his mother had an affair[…]
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