“Götterdämmerung” in Brussels
Powerful lighting design, sophisticated dramaturgy, captivating sound effects: the ‘Ring’ enters the home straight at La Monnaie with Pierre Audi‘s[…]
Read morePowerful lighting design, sophisticated dramaturgy, captivating sound effects: the ‘Ring’ enters the home straight at La Monnaie with Pierre Audi‘s[…]
Read moreA night in the museum: in the martial House of Sports History, the world premiere of ‘Echo 72 – Israel[…]
Read moreShortly before death, life passes by a dying person once again. This is at least a common assumption. In the[…]
Read moreScenes from two marriages: Tobias Kratzer presents a ‘Frau ohne Schatten’ at the Deutsche Oper as drama between the desire[…]
Read moreEnd of the line virtual reality? Walter Sutcliffe, director of the Bühnen-Halle, presents a cleverly thought-out ‘Magic Flute’ that poses[…]
Read moreLet us be merry and bright: Christof Loy‘s fantastic rediscovery of Rimsky-Korsakov’s ‘Christmas Eve’ is back on the programme at[…]
Read moreWedding night in a teenage bedroom: Mariame Clément presents Charles Gounod’s ‘Roméo et Juliette’ at the Staatsoper Berlin as a[…]
Read moreThe restored power of the gods: Tobias Kratzer has Wagner’s ‘Rheingold’ set in a church in Munich and lies in[…]
Read moreIce age in the Bauhaus city: Christian von Treskow presents a frosty “La bohème” at the Anhaltisches Theater Dessau. Beneath[…]
Read moreBourgeois psychodrama from ancient Byzantium: Christof Loy stages Ottorino Respighi’s exaggerated opera plot of ‘La Fiamma’ at the Deutsche Oper[…]
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