“Fin de partie” in Berlin
Shortly before death, life passes by a dying person once again. This is at least a common assumption. In the[…]
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Shortly before death, life passes by a dying person once again. This is at least a common assumption. In the[…]
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Scenes from two marriages: Tobias Kratzer presents a ‘Frau ohne Schatten’ at the Deutsche Oper as drama between the desire[…]
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End of the line virtual reality? Walter Sutcliffe, director of the Bühnen-Halle, presents a cleverly thought-out ‘Magic Flute’ that poses[…]
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Let us be merry and bright: Christof Loy‘s fantastic rediscovery of Rimsky-Korsakov’s ‘Christmas Eve’ is back on the programme at[…]
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Wedding night in a teenage bedroom: Mariame Clément presents Charles Gounod’s ‘Roméo et Juliette’ at the Staatsoper Berlin as a[…]
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The restored power of the gods: Tobias Kratzer has Wagner’s ‘Rheingold’ set in a church in Munich and lies in[…]
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Ice age in the Bauhaus city: Christian von Treskow presents a frosty “La bohème” at the Anhaltisches Theater Dessau. Beneath[…]
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Bourgeois psychodrama from ancient Byzantium: Christof Loy stages Ottorino Respighi’s exaggerated opera plot of ‘La Fiamma’ at the Deutsche Oper[…]
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Highly dramatic and yet refreshingly pleasantly reduced – with a loud bang at the end, the audience is once again[…]
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Season opening at the Hanover State Opera: Daniel Kramer‘s acclaimed new production of Philip Glass’ peace opera sheds light on[…]
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