“Die Zauberflöte” in Halle
End of the line virtual reality? Walter Sutcliffe, director of the Bühnen-Halle, presents a cleverly thought-out ‘Magic Flute’ that poses[…]
Read moreEnd of the line virtual reality? Walter Sutcliffe, director of the Bühnen-Halle, presents a cleverly thought-out ‘Magic Flute’ that poses[…]
Read moreLet us be merry and bright: Christof Loy‘s fantastic rediscovery of Rimsky-Korsakov’s ‘Christmas Eve’ is back on the programme at[…]
Read moreWedding night in a teenage bedroom: Mariame Clément presents Charles Gounod’s ‘Roméo et Juliette’ at the Staatsoper Berlin as a[…]
Read moreThe restored power of the gods: Tobias Kratzer has Wagner’s ‘Rheingold’ set in a church in Munich and lies in[…]
Read moreIce age in the Bauhaus city: Christian von Treskow presents a frosty “La bohème” at the Anhaltisches Theater Dessau. Beneath[…]
Read moreBourgeois psychodrama from ancient Byzantium: Christof Loy stages Ottorino Respighi’s exaggerated opera plot of ‘La Fiamma’ at the Deutsche Oper[…]
Read moreHighly dramatic and yet refreshingly pleasantly reduced – with a loud bang at the end, the audience is once again[…]
Read moreSeason opening at the Hanover State Opera: Daniel Kramer‘s acclaimed new production of Philip Glass’ peace opera sheds light on[…]
Read moreAt Braunschweig’s ‘Burgplatz Open Air’, Jan Eßinger‘s interpretation of ‘Troubadour’ beautifully incorporates the medieval ambience of the surroundings. The choirs[…]
Read moreAnarchists in the Festspielhaus: Tobias Kratzer‘s production of ‘Tannhäuser’ at the Bayreuth Festival has written theatre history and is as[…]
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